ἤθελον δὲ παρεῖναι πρὸς ὑμᾶς ἄρτι, καὶ ἀλλάξαι τὴν φωνήν μου, ὅτι ἀποροῦμαι ἐν ὑμῖν.
ēthelon de pareinai pros hymas arti, kai allaxai tēn phōnēn mou, hoti aporoumai en hymin.
ηθελον δε παρειναι προς υμας αρτι, και αλλαξαι την φωνην μου, οτι απορουμαι εν υμιν.Parsing · 15 words
| ἤθελον | θέλω | impf act ind 1sg | I was wishing / I could wish — Tense is the crux: iterative-past report or unfulfillable-wish idiom. |
| δέ | δέ | conj (postpositive) | but — Mildly contrastive against the πάντοτε of v. 18 and the ὠδίνω of v. 19. |
| παρεῖναι | πάρειμι | pres act inf | to be present — Same infinitive as v. 18 (ἐν τῷ παρεῖναί με), binding the two verses. |
| πρὸς | πρός | prep + acc | toward, with |
| ὑμᾶς | σύ | pron acc 2pl | you |
| ἄρτι | ἄρτι | adv | just now, at this moment — Sharper than νῦν: the immediate present. |
| καὶ | καί | conj | and |
| ἀλλάξαι | ἀλλάσσω | aor act inf | to change, exchange — Aorist: a single decisive change, not a gradual modulation. |
| τὴν | ὁ | art acc fem sg | the |
| φωνήν | φωνή | noun acc fem sg | voice, tone |
| μου | ἐγώ | pron gen 1sg | my |
| ὅτι | ὅτι | conj (causal) | because |
| ἀποροῦμαι | ἀπορέω | pres mid ind 1sg | I am at a loss — α-privative + πόρος, ‘passage’: no way through. |
| ἐν | ἐν | prep + dat | in, with regard to |
| ὑμῖν | σύ | pron dat 2pl | you |
But I was wishing to be present toward you just now, and to change my voice, because I am at a loss in you.
But I could wish I were with you right now, and could change my tone — because I am at a loss about you.
But I was wishing [and still wish] to be present with you at this moment, and to change my voice, because I am without a way through with regard to you.
Yet I would that I were present with you now, and might change my voice; for I am perplexed concerning you.
The turn of the verse
Paul has just called the Galatians τέκνα μου and described himself in labor pains again until Christ is formed in them (v. 19). Verse 20 is the emotional floor of the letter: having written the harshest sentences in the Pauline corpus (1:6-9; 3:1; 5:12), he now says he wishes he could be standing in front of them instead of writing, so that he could change his voice — because writing gives him no way to modulate what a face-to-face conversation would let him modulate.
Three things are doing the work: the imperfect ἤθελον (a wish about an impossibility, or a report of a past longing), the fixed idiom ἀλλάξαι τὴν φωνήν (change of tone? or change of address?), and ἀποροῦμαι — an admission of being cornered, from the apostle who elsewhere claims not to be at a loss (2 Cor 4:8, using the same root).
The verse is also structurally important: it closes the personal appeal of vv. 12-20 before the abrupt pivot to Hagar and Sarah at v. 21. Paul’s confession that he has run out of road is the last thing said before he tries a completely different tack.
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ἤθελον
The imperfect of θέλω without ἄν is the standard Greek way of expressing a wish the speaker knows cannot presently be realized — a desiderative or potential imperfect (BDF §359.2, comparing Rom 9:3 ηὐχόμην, Acts 25:22 ἐβουλόμην, Phlm 13 ἐβουλόμην). On that reading Paul is saying, in effect, ‘I could wish I were with you at this moment’ — and the ἄρτι makes clear the wish is about now, not about some past occasion.
The alternative is a plain historical imperfect: ‘I was wishing’ — i.e. I have been longing all along to come. This is grammatically unobjectionable and keeps ἄρτι attached to παρεῖναι rather than to the wishing.
The desiderative reading is the majority position and fits the ἄρτι best: a wish located in the present but marked as unrealizable by the imperfect. Against it, Greek normally signals the unreal wish more clearly, and ἤθελον can simply report an ongoing intention (cf. Gal 4:9 θέλετε; Rom 1:13). The rendering must therefore not make the wish grammatically impossible in English (‘I wish I could have been’) nor flatten it to a bare past report (‘I wanted to come’). ‘I could wish’ holds both, with the literal tier retaining ‘I was wishing.’
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παρεῖναι and ἄρτι
παρεῖναι is the same infinitive used two verses earlier — ἐν τῷ παρεῖναί με πρὸς ὑμᾶς (v. 18) — and the repetition is deliberate: Paul’s absence is the problem in both verses. The noun παρουσία / ἀπουσία pair belongs to the same family, and the corpus policy on παρουσία (‘presence’ where a person is on the spot) governs here: the sense is bodily presence, with no eschatological overtone.
ἄρτι is sharper than νῦν. It marks the immediate moment — ‘right now, at this instant’ (cf. Matt 26:53; John 13:37; 1 Cor 13:12 ἄρτι … τότε). Its position after πρὸς ὑμᾶς attaches it most naturally to παρεῖναι: what Paul wants is to be there this minute, not eventually. Some construe it with ἤθελον (‘I now wish’), which yields much the same force; either way the adverb belongs in its Greek slot in English and should not be relocated to the head of the clause.
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ἀλλάξαι τὴν φωνήν
ἀλλάσσω is ‘change, exchange, alter’ (Rom 1:23; 1 Cor 15:51-52; Acts 6:14), and the aorist infinitive marks a single decisive change rather than a gradual modulation. φωνή is the physical voice or the sound it makes (BDAG 1-2).
The phrase is genuinely open:
- Tone of voice. Paul wishes he could speak instead of write, so that the severity of the letter could be softened or hardened as the moment required. A written page has only one register; a voice has many. This is how Chrysostom reads it — Paul wants to speak ‘as a mother’ rather than as a prosecutor, adding tears and expression that ink cannot carry.
- Change of language/manner of address. ‘To alter my language’ — i.e. to take a different approach altogether, moving from rebuke to persuasion, which would then anticipate the fresh start at v. 21.
- A minority proposal takes φωνή of the sound only, i.e. to speak rather than write at all (‘to use my voice’), reading the change as one of medium rather than register.
Reading (1) fits the maternal imagery of v. 19 and the pastoral register of vv. 12-20, and it is the patristic reading. Reading (2) fits the abrupt methodological shift at v. 21, where Paul stops appealing and starts exegeting. The Greek does not decide. ‘Change my voice’ is retained in the literal tier precisely because it holds both; ‘change my tone’ is used in smooth registers, with the approach-reading flagged rather than excluded.
What the rendering must not do is paraphrase to ‘speak differently to you’ or ‘find the right words,’ both of which discard the concrete φωνή. The image of a voice being exchanged is live (§8).
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ἀπορέομαι
ἀπορέω is built on α-privative + πόρος, ‘a way through, a ford, a passage.’ To be ἄπορος is to have no route — the word is used of impassable terrain and of a man with no resources. The middle/passive in Koine means ‘be at a loss, be perplexed, not know what to do’ (BDAG). NT occurrences: Mark 6:20 (Herod ἀπορέω about John — v.l.), John 13:22, Acts 25:20, 2 Cor 4:8, Gal 4:20.
The use is sparse but consistent with this: Sir 18:7 and Isa 24:19-type contexts of being reduced to nothing to do. Josephus and Polybius use it of generals with no options left.
The cross-reference that matters most is 2 Cor 4:8: ἀπορούμενοι ἀλλʼ οὐκ ἐξαπορούμενοι — ‘perplexed but not driven to despair.’ Paul distinguishes the simple verb from the intensified compound. Here in Gal 4:20 he uses the simple verb: he does not know what to do next, but the word itself does not carry despair. Rendering ‘I despair of you’ overshoots; rendering ‘I am puzzled’ undershoots the pastoral pressure.
‘I am at a loss’ is the primary gloss: it keeps the sense of having exhausted the available routes without importing hopelessness. Where the metaphor needs to be visible, ‘I have no way through with you.’
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ἐν ὑμῖν
ἐν + dative after ἀπορέομαι is unusual; the verb more commonly takes περί + gen. (Acts 25:20) or an accusative of respect. Three construals are live:
- Reference: ‘I am at a loss about you’ — the Galatians are the object of Paul’s perplexity. This is the dominant reading and fits the flow (Paul does not know what to do with this church).
- Sphere: ‘I am at a loss in your case’ — the ἐν marks the domain within which the perplexity operates, slightly less person-directed.
- Locative-inward: taken with the preceding, ‘because of what is going on among you.’
The first two are hard to separate in practice and English ‘about you’ is hospitable to both. Note that Paul used ἐν ὑμῖν one verse earlier in μορφωθῇ Χριστὸς ἐν ὑμῖν (v. 19), where the sense is plainly ‘within/among you’ — the repetition may be deliberate, setting Christ’s formation in them against Paul’s bafflement about them. Keep ‘in you’ available in the literal tier so the echo remains visible.
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Text
The verse is textually stable in ; no variant is bracketed or noted as significant in the UBS apparatus, and Metzger’s committee did not treat it. Minor orthographic variation (ἠθέλον / ἤθελον accentuation, word order of τὴν φωνήν μου in a few minuscules) carries no exegetical weight.
Worth noting negatively: the absence of any scribal attempt to soften ἀποροῦμαι is itself mildly interesting. Copyists elsewhere smoothed Pauline self-disclosures; here the admission of being at a loss stands unretouched in the whole tradition.
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Versions and the Fathers
The reads vellem autem esse apud vos modo et mutare vocem meam, quoniam confundor in vobis. Two things: vellem is a true past subjunctive and so commits firmly to the unrealizable-wish reading of ἤθελον — a defensible construal, but a decision the Greek leaves open. And confundor (‘I am confounded, thrown into confusion’) shifts ἀποροῦμαι from ‘no way through’ toward inward disturbance; it is a fair translation of the effect but loses the road-metaphor of πόρος.
The renders the perplexity with a verb of being disturbed or stirred up, likewise foregrounding the emotional state over the exhausted-options sense.
Chrysostom (Hom. in Gal. on 4:20) reads the change of voice as a change from reproach to lament — Paul wishes he could weep with them rather than write at them, and takes ἀποροῦμαι as genuine bewilderment rather than rhetorical posture: Paul does not know what more to say. Jerome, commenting on the same verse, ties the desired change of voice to the shift of method at v. 21, where Paul turns from appeal to Scripture — evidence that the ‘change of approach’ reading is ancient and not a modern invention.
That both readings are patristically attested is the reason the rendering keeps them both open rather than choosing.
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Register and what the verse costs
This is not a rhetorical device dressed as vulnerability. Paul, who elsewhere writes with settled confidence (πέποιθα, Phil 1:6, 25), here says he has no route. Two things follow.
First, apostolic authority in Paul is not omnicompetence. He labors (ὠδίνω, v. 19), he is at a loss (v. 20), and he still writes chapter 4 and chapter 5. The pastoral pressure and the confidence coexist in the same paragraph, which is data about how Paul understood his office.
Second, the verse should not be smoothed toward comfort (§6). The temptation in English is to render ἀποροῦμαι as something manageable — ‘I am concerned about you,’ ‘I am puzzled’ — which converts an admission of exhausted options into mild worry. The text says he has no way through. That stands.
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Nestle-Aland, Novum Testamentum Graece. 28th rev. ed. Stuttgart, 2012.
Metzger, B. M. A Textual Commentary on the Greek New Testament. 2nd ed. Stuttgart, 1994.
Bauer, W., F. W. Danker, W. F. Arndt, F. W. Gingrich. A Greek–English Lexicon of the New Testament and Other Early Christian Literature. 3rd ed. Chicago, 2000.
Muraoka, T. A Greek–English Lexicon of the Septuagint. Leuven, 2009.
Blass, F., A. Debrunner, R. W. Funk. A Greek Grammar of the New Testament. Chicago, 1961.